Josephine van Schendel (Amsterdam, The Netherlands), researcher and storyteller based in Stockholm, Sweden. BA in graphic design from the Royal Academy of Art, propedeuse from the Dirty Art Department, Sandberg Institute. Currently studies Msc Environment and Resource Management.
Work/writings have been featured in among others: Het Parool, Progetto Grafico (IT), Stedelijk Museum Amsterdam, at7 project space Amsterdam, De Internet Gids, Mama Rotterdam, The One Minutes, NHD (Noord Hollands Dagblad), Productiehuis Theater Rotterdam, NEST Den Haag, Trouw.
Detail results Ceramic vase with smileys (2018), made as artist-in-residence at Kunstkollektivet 8B, Unnerud, Denmark
Detail for photoseries A Date Night: The Perfect Mismatch(2018)
Installation shots of Pandora's Bazar (2018), presented at Nest Den Haag in group exhibition Outermost Corner
Niet aanraken a.u.b. (2020), text written on the iconic Portrait of My Mother's Chesterfield Chair (1965) by Gunnar Aagaard Andersen with curator Ingeborg de Roode, exhibited in FROM THONET TO 'DUTCH DESIGN' at The Stedelijk, Amsterdam
Result of first-year students from the workshop The Moodrock, held at the Royal Academy of Art (2019) organized together with Michiel Heemskerk in the context of The Other Academy
Logo design for The Laumi Hat (2020), an artist collective that comprises all the artists that have taken part in Laumulistasamsteypan’s summer camp in Iceland.
Manifesto declared by chatbox Yandex (2018), glazed ceramics on perforated stainless steel with fish hooks and rigging steel wire rope, 120 x 50 cm
Gaia's Triad, An Allegory of the New Wild, Primal Being & Fleshy Hardware (2018), thesis bachelor. Nominated for the Bachelor Thesis Award. Unraveled as a mythological dialogue between three children of mother Gaia that define the relationship of humans with nature through crucial pieces in art history.
Josephine van Schendel (Amsterdam, The Netherlands), researcher and storyteller based in Stockholm, Sweden. BA in graphic design from the Royal Academy of Art, propedeuse from the Dirty Art Department, Sandberg Institute. Currently studies Msc Environment and Resource Management.
Work/writings have been featured in among others: Het Parool, Progetto Grafico (IT), Stedelijk Museum Amsterdam, at7 project space Amsterdam, De Internet Gids, Mama Rotterdam, The One Minutes, NHD (Noord Hollands Dagblad), Productiehuis Theater Rotterdam, NEST Den Haag, Trouw.
Detail results Ceramic vase with smileys (2018), made as artist-in-residence at Kunstkollektivet 8B, Unnerud, Denmark
Detail for photoseries A Date Night: The Perfect Mismatch(2018)
Installation shots of Pandora's Bazar (2018), presented at Nest Den Haag in group exhibition Outermost Corner
Niet aanraken a.u.b. (2020), text written on the iconic Portrait of My Mother's Chesterfield Chair (1965) by Gunnar Aagaard Andersen with curator Ingeborg de Roode, exhibited in FROM THONET TO 'DUTCH DESIGN' at The Stedelijk, Amsterdam
Result of first-year students from the workshop The Moodrock, held at the Royal Academy of Art (2019) organized together with Michiel Heemskerk in the context of The Other Academy
Logo design for The Laumi Hat (2020), an artist collective that comprises all the artists that have taken part in Laumulistasamsteypan’s summer camp in Iceland.
Manifesto declared by chatbox Yandex (2018), glazed ceramics on perforated stainless steel with fish hooks and rigging steel wire rope, 120 x 50 cm
Gaia's Triad, An Allegory of the New Wild, Primal Being & Fleshy Hardware (2018), thesis bachelor. Nominated for the Bachelor Thesis Award. Unraveled as a mythological dialogue between three children of mother Gaia that define the relationship of humans with nature through crucial pieces in art history.